% Lily was here -- automatically converted by /usr/bin/midi2ly from cat clb midi.mid \version "2.14.0" \layout { \context { \Voice \remove "Note_heads_engraver" \consists "Completion_heads_engraver" \remove "Rest_engraver" \consists "Completion_rest_engraver" } } trackAchannelA = { \key b \minor \time 4/4 \key b \minor \tempo 4 = 100 \set Staff.instrumentName = "Catamarca" % [TEXT_EVENT] Eduardo Arolas \skip 1*23 \time 32/32 \skip 4*126765/960 \tempo 4 = 90 \skip 1*28 \tempo 4 = 90 \time 5/4 \skip 4*5 \tempo 4 = 90 \tempo 4 = 105 \time 4/4 \skip 1*30 \tempo 4 = 100 \skip 1*2 \tempo 4 = 90 } trackA = << \context Voice = voiceA \trackAchannelA >> trackBchannelA = { \set Staff.instrumentName = "Bass Clarinet in Bb" } trackBchannelB = \relative c { \voiceTwo r8*63 a8 | % 9 ais2. d16 dis e f | % 10 fis2 r8 f e4 | % 11 d2. cis4 | % 12 b4. ais8 a4 e'16 f fis g | % 13 gis4. gis8 g4. f8 | % 14 fis4. f8 e4 dis | % 15 r8 b'16 r16 fis r16 d8 a'4. fis8 | % 16 g4. f4*488/960 r4*1432/960 cis8 | % 17 b4. cis8 d4 dis16 e f fis | % 18 r8 g4. r4 g, | % 19 fis cis' fis, fis | % 20 b cis d8 fis, g16 gis a ais | % 21 b4 b a a | % 22 gis gis g g4*848/960 fis4*112/960 | % 23 r8*9 fis16 r16 fis r16 f8 fis2 | % 25 r4*45/960 b'8 b4 b16 b b4*1466/960 r4*454/960 gis4*979/960 r4*2861/960 a8 a4 a8 a4*1466/960 r4*454/960 fis r4*26/960 e16 f fis r16 b,8 c16 cis d r16 g8 gis16 g fis4 e cis ais b fis' d e fis e cis ais b cis d f8 fis4. r4. b, e8 e r8 b e2 r8 g4. r8 g,4. r8 c4 b a16 r16 fis g gis a ais4. g' fis e d4 cis16 d e fis g4. fis e4 r1 b'4*488/960 r4*952/960 b4*488/960 r4*952/960 c4*488/960 r4*472/960 a4*488/960 r4*952/960 a4*488/960 r4*472/960 c4*488/960 r4*472/960 a4*488/960 r4*472/960 e4*979/960 r4*461/960 b'4*979/960 r4*461/960 g4*488/960 r4*952/960 fis4*454/960 r4*2426/960 c8 b16 ais a8 e'4 d c8 e b16 r16 b r16 e4 d8 r8 c16 r8. dis16 r16 e4 r8 cis d4 g, gis a b c g c g b fis b fis d' d g, g fis' fis b,8 b4. c16 a b a g fis f2 b8 b b r4 ais8 ais r4. a4 b c cis4*488/960 r4*472/960 d8*7 g,4. e' d4 g,4. e' d4 g,4. e' d4 g,4. e' d4 r8*105 d'8 d cis d2 r8 cis4 cis16 d cis2 r8 b b ais b4. cis8 b4 a2. r8 cis4 d16 dis e4 d8 cis e4 d2 r4. e4 f16 fis g4*638/960 fis4*641/960 f fis2 b, b4 r16*19 cis,16 d8. ais16 b8. f16 fis1*2 r4 b'4*488/960 r4*952/960 b4*488/960 r4*952/960 c4*488/960 r4*472/960 a4*488/960 r4*952/960 a4*488/960 r4*472/960 c4*488/960 r4*472/960 a4*488/960 r4*472/960 e4*979/960 r4*461/960 b'4*979/960 r4*461/960 g4*488/960 r4*952/960 fis4*454/960 r4*2426/960 c8 b16 ais a8 e'4 d c8 e4*488/960 r4*472/960 b8 e4 d c8 r8 dis e4 r8 cis d4 g, gis a b c g c g b fis b fis d' d g, g fis' fis b8 b4. c16 a b a g fis f2 b,8 b' b r4 ais8 ais r4. a4 b c cis8 d16 r16 d,8*5 d4 g d g d g d g d g r4. g fis2 r4 dis16 d cis4 cis8 r8 fis,4 fis8 r8 fis b b r4. g4*488/960 r4*472/960 e8 a4 a d d g e d g, cis r8 fis4 fis e8 d4 g, cis fis r8*5 g4. fis4 r2 a,16 ais b c cis4 cis fis fis b, cis d8 e f16 fis g gis a4 a, d d g, e' d g, fis2 r8 fis' fis16 r16 f8 fis,4 cis' g fis b fis b } trackBchannelBvoiceB = \relative c { \voiceOne r2*31 fis4*683/960 r4*35362/960 a4*488/960 r4*952/960 b4*2936/960 r4*3304/960 g4*488/960 r4*50392/960 g4*979/960 r4*461/960 d'4*979/960 r4*461/960 b4*488/960 r4*472/960 fis4*979/960 r4*461/960 d'4*488/960 r4*472/960 b4*488/960 r4*472/960 g4*488/960 r4*952/960 g4*488/960 r4*952/960 a4*488/960 r4*472/960 b4*979/960 r4*45101/960 d,4*225/960 r4*116415/960 g4*979/960 r4*461/960 d'4*979/960 r4*461/960 b4*488/960 r4*472/960 fis4*979/960 r4*461/960 d'4*488/960 r4*472/960 b4*488/960 r4*472/960 g4*488/960 r4*952/960 g4*488/960 r4*952/960 a4*488/960 r4*472/960 b4*979/960 r4*7181/960 b,4*225/960 r4*63615/960 fis4*225/960 } trackB = << \clef bass \context Voice = voiceA \trackBchannelA \context Voice = voiceB \trackBchannelB \context Voice = voiceC \trackBchannelBvoiceB >> \score { << \context Staff=trackB \trackA \context Staff=trackB \trackB >> \layout {} \midi {} }